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Oil and acrylic paints are applied with brushstrokes (impasto)
and glazes — thin, almost transparent layers.
To achieve this, you need to see the true transparency
of each paint in a thin layer.
Here are the results of testing artists' oil,
water-mixable oil colors
and acrylic paints from various companies and brands
for students, amateurs and professional painters.
- Not all colors of each brand (and the brands themselves)
are presented, but only those that were found for testing.
You can perform a similar test yourself with your own paints.
- The declared transparency of a paint (if indicated on the tube)
does not always correspond to reality.
On a white background, this is difficult to notice,
but on a black background, it is clearly visible.
The transparency marker on the tube (a small square or circle, if present)
can be considered the manufacturer's recommendation for use,
and not its actual transparency.
- Click on a brand on the page to the left
and use the visible opacity of each paint
as a hint for how to use it.
- Opaque or semi-opaque paint (the black background is tinted with paint)
is suitable for impasto work – for covering the background
or creating texture.
In a thin layer, it opaques the background and can make the painting appear muddy.
It's only suitable for creating a fog effect.
- Transparent or semi-transparent paint
(the black background is clearly visible)
is suitable in thin layers for glazing the background
(like a varnish).
In a thick layer, it applies unevenly and the background
still shows through.
- The colors of dark paints can be difficult to distinguish at full strength,
and the bleaching side helps reveal the "true color" and tone of the paint
(warm, cool, neutral).
Parameters of Artistic Professional Colors:
Degree of Lightfastness under museum conditions:
*** (or +++) - above 100 years completely
** (or ++) - 25..100 years
* (or +) - 10-25 years
o = 0-10 years (use for sketch or poster)
Sign (A) on a tube = Analogous (Hue).
Opacity (small image or/and our chars code):
TR = Transparent
ST = Semi-Transparent
SO = Semi-Opaque
OP = Opaque.
International Pigment's Color Code:
PW - Pigment White
PY - Pigment Yellow
PO - Pigment Orange
PR - Pigment Red
PV - Pigment Violet
PB - Pigment Blue
PG - Pigment Green
PBr - Pigment Brown
PBk - Pigment Black
Fx - Fluorescent Pigment
Sample:
PR264/PV19 *** ST
- Pigment Red #264 + Pigment Violet #19,
Lightfastness very high,
Semi-Transparent Paint.
The color swatches in the catalog are applied over white and black
stripes of primer in a single coat of paint to demonstrate
the paint's transparency and opacity.
The left side of the swatch contains a mixture of wet paint
and titanium white (except for the lightest colors).
Vitaly Eromenko
Rooted in 1783 London and named after George Rowney the company’s founder,
Georgian Oil Colours from Daler-Rowney enrich contemporary artistic expression
through modern and brilliant colours, optimal pigment loads and a very satisfying
feel under both brush and knife.
Traditionally crafted and triple-milled in England, Georgian Oil Colours provide
colour consistency from wet to dry and even performance and finish across all colours.
Due to their careful formulation, Georgian Oil Colours generally require very limited
quantities of mediums so can be used freely straight from the tube allowing the artist
to concentrate on spontaneous creativity.
• Available in 56 colours
• High pigment loads include traditional pigments cadmium and cobalt
• Exceptionally permanent and brilliant colours
• Colours are intermixable and consistent from wet to dry
• Surface dry in 4 to 5 days
• 24 single pigment colours
• 31 opaque or semi-opaque colours
• All colours are rated as Permanent**** or Normally Permanent***
• Smooth and buttery consistency, ideal for experimenting different brush and knife techniques
• Easy mixing with mediums provides endless creative possibilities
• Traditionally crafted and triple-milled in England
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| Select Brand | [Code DRG]:
Oil Colors Daler-Rowney Georgian (58 Colors)
Daler-Rowney
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